You can also save and recall five presets via a sequence of footswitch and push-button maneuvers, though as many as 127 presets are available via midi. Other practical features include a freeze footswitch, stereo output capabilities, and a guitar/line level switch. Others, like “Gravity" (which regulates the level of reverse reverb) and “Q" (which controls the resonance of frequencies emphasized with the EQ ), are less-common reverb functions, but shape the reverb color profoundly. Each knob has two functions, and secondary functions are accessed via a small, LED-illuminated push button at the upper right of the pedal. But it's still very powerful, and its features have been distilled to a functional, practical group that facilitates intuitive, creative experimentation, reveals tremendous textural range, and is easy and super fun to use.Īny player that has messed with the Space-or Eventide's other larger-form stomps-will recognize the basic functionality of the Blackhole's control set. Thanks to a well-conceived control interface, Blackhole isn't much more complicated than, say, a Boss pedal. What is striking is how functionally streamlined the Blackhole is compared to the Space and H9 processors that are also home to Blackhole-mode sounds. So the fact that Eventide elected to give the Blackhole a dedicated stompbox of its own is no surprise. Later, out in the wider world, I started running into engineers that were using the Blackhole mode in the studio and even in live settings to add ambience to mixes. I was happy that the Blackhole settings sounded fantastically, cosmically expansive without relying on some of the more overt “shimmer" tricks that can be a big-reverb cliché. But I also distinctly remember spending more time in the Blackhole mode than any other. It's all about how you go about using it.Reviewing Eventide's Space reverb back in 2011, I was impressed with how many shades of ambience had been stuffed into one box. I don't know if Ventris has that feature?Įither one is just a tool. Being able to EQ the patches on the Space helps make it sound warm instead of metallic, but you can make it sharp and industrial if you want. 8 presets can be more than enough used properly.Īlso, since the Ventris has two reverb engines, you can combine them to get sounds similar to some of the more complex patches on the Space. I have others stored, but changing parameters with the expression means I 'm not scrolling through presets mid-song, which is one of the few complaints I've seen about the Space. I have 8 presets that I use, and only 4 of them regularly. I use the Source Audio expression pedal to change parameters though. I don't think you have to use midi or the software controller/CMS if you don't want to. Smaller footprint, great sounds, easy interface. If I were buying today I would probably buy the Ventris. They do have a good reputation and they do still support the software through the H9, but that's more than I paid for an almost new one 3 years ago. Worth it? It's crazy how much these have maintained there value after all these years I don't tweak parameters live except with an expression pedal, and since that is a Source Audio, it works with both! The Ventris has a smaller footprint and knob tweaking might be a little easier. It can do ambient tones as well, but I still think the Space does that better.īoth have plus and minuses for programming and live use. If those were my main interests in using reverb, "real" sounds, I would chose the Ventris. The Plate and Room settings are nice too. The Ventris however, does excellent Spring reverb. The Spring and Plate settings are good enough for when I want to use them, but I almost never did on my old rack units, so I don't much on the Space either. I use reverb mostly for ambient or backwards effects. Most of my patches are based around Echoverb, Modverb, Blackhole and Hall. I got it to replace two rack reverb units that I used for a long time, a Yamaha SPX-900 and a Roland DEP-5. I've thought about getting it anyway, but keep spending money on other things. I don't have the Ventris, but that is the reverb pedal that I would buy if I didn't already have the Eventide Space.
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